It’s my favorite image from our trip to New York:
Drunk in the village, facing the storm
Despite the bad weather, we were walking around
Do you remember it now?
When It’s already over
I let my guard down
(Gabe was right, the bastard showed in the frozen night on the horse his father stole)
When It’s already over
I let my guard down
It’s my favorite image from our trip to New York:
Asleep in the kitchen we could barely afford
You took a red marker and you wrote on my face
In your infinite grace:
“A Waste”
“A Waste”
“A Waste”
“A Waste”
Laying in the high dry grass, listening to the crickets playing their song, wondering if times of true serenity were never over, but right there under my nose, the whole time. wraehkel
Some may know Farmer from his time under the Monarch Mtn name. Happy to see Western Vinyl has picked up on what a talent this guy is. 'Still No Mother' delivers such a subtle venom, one that works its way into the bloodstream long after the music has ended. Farmer's music impacts in much the same way as that of Damien Jurado or Bill Callahan. The songs seem as if they've been on rotation for many years, like visiting an old friend, instantly familiar and welcoming. Lost Tribe Sound
A collection of twinkling bedroom folk-pop demos from Fahim Rahman that arcs from hushed intimacy to sweeping cinematic emotionality. Bandcamp New & Notable Apr 6, 2021
The freak-folk collective's debut is full of rich, haunted vocals and experimental melodies derived from more traditional idioms Bandcamp Album of the Day Nov 9, 2021
Australian songwriter Tamara Westwood, who describes herself deliberately as a trans girl, and fights for the cause of transgender people, attributes her songs to the "dreamo" genre. Actually, that's quite descriptive of what's to be found on "The Fifth", releasing me from the task of finding an appropriate genre myself. The music sounds remarkably full-fledged for a DIY album labeled "bedroom pop" - absolutely not lo-fi or bedroom-bound. Sven B. Schreiber (sbs)